瓦当与木作在大汉河山主题餐厅中的运用

论文编号:HJ012     论文字数:3380,页数:07

 摘要：大汉河山——主题餐厅设计，顾名思义真个餐厅营造的是汉文化的氛围，表达的理念包括历史、建筑、服饰、礼仪。通过分析当今餐饮业的具体情况结合本次设计的主题，提取了汉代文化的经典元素，呈现出整体风格统一，又不乏现代的餐饮空间。主要的“汉文化”元素有：秦砖汉瓦美誉中的瓦当（白瓷瓦当、云纹瓦当、莲花瓦当、青龙瓦当等）、汉代木作制品。在汉朝尤为突出的建筑成就是大量的木作与各类的瓦当技术的成熟。汉代室内的装饰以红、黑为基调，运用于当今的设计中呈现出稳重又不乏生气。各式的木作点缀，使得古典的韵味不言而喻。瓦当图案经过临摹与变形，含入不同的装饰中，既大篇幅又若隐若现。在餐饮空间综合运用“汉文化”艺术。
 
关键词：汉文化，瓦当，木作

Abstract: Guy landscape - - subject dining room design, what as the name suggests really dining room building is the Chinese culture atmosphere, the expression idea including the history, the building, the clothing, the etiquette. The food and beverage industry special details unify this design now through the analysis the subject, has withdrawn the Han Dynasty culture classical element, presents the overall style to be unified, also many modern dining spaces. Main “the Chinese culture” the element includes: In baked clay bricks and tiles fine reputation eaves tile (white enamel eaves tile, cloud pattern eaves tile, lotus flower eaves tile, black dragon eaves tile and so on), Han Dynasty brick relief, Han Dynasty calligraphy "Sacrificial vessel Tablet", Han Dynasty carpentry product. In the Han Dynasty outstandingly the construction achievement is the massive carpentries and each kind of eaves tile technology maturity. The Han Dynasty indoor decoration take red, black as a main key, utilizes presents many vitalities steadily in the now design. Various types' carpentry embellishment, causes the classical flavor to be self-evident. Eaves tile design after copy and distortion, including into different decoration, both the great length and is partly visible. In dining space synthesis utilization “Chinese culture” art.

Key word: Chinese culture， Eaves tile，Carpentry

目  录
摘  要
Abstract
设计概述…………………………………………………(1)
（1.1）背景…………………………………………………………(1)
（1.2）设计理念……………………………………………………(1)
（1.3）设计内容……………………………………………………(1)
设计主题…………………………………………………(1)
三、“瓦当、木作”设计要素的运用和具体体现……………(1 ~3 )
 （3.1）空间划分，功能布局…………………………………………(2)
 （3.2）隔断方式和隔离设计................................(2)
 （3.3）装饰基调………………………………………………………(2) 
 （3.4）立面设计………………………………………………………(3)
四、结束语………………………………………………(3)
五、致谢…………………………………………………(4)
六、参考文献……………………………………………(4)

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